Planting Sound

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Write sounds into the background of scenes, setting them up for fuller presence later. If a train becomes important late in the story, mention the wail of a distant train early in the screenplay. This sort of auditory planting quietly strengthens the structure of the story in your reader’s mind.

-David Bordwell summarizing Amos Poe. “Manhattan: Symphony of a Great City.” Observations on film art and Film Art. 11 Jan 2008.

(This is something that could also be done visually in comics. Similar to what Groensteen calls braiding (tressage).)

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