http://madinkbeard.com/blog/archives/page-flow-in-andromeda { Derik Badman's Writing on Comics (mostly) } Thu, 20 Nov 2008 15:24:39 +0000 http://wordpress.org/?v=2.6.3 http://madinkbeard.com/blog/archives/page-flow-in-andromeda#comment-96740 DerikB Wed, 16 Jan 2008 13:54:01 +0000 http://madinkbeard.com/blog/archives/page-flow-in-andromeda#comment-96740 Thanks for sharing that quote, Eric. Thanks for sharing that quote, Eric.

]]> http://madinkbeard.com/blog/archives/page-flow-in-andromeda#comment-96739 EricMontreal22 Wed, 16 Jan 2008 13:49:04 +0000 http://madinkbeard.com/blog/archives/page-flow-in-andromeda#comment-96739 Great analysis which goes to prove what a master Takemiya is. It reminds me of the quote on Takemiya in Manga Manga; "'Viewing the page layouts of Keiko Takemiya, one is reminded of the designs of the constructivists--of the exagerated slanted lines in Rodchenko's posters and film montages, and the concentrated power of the films of Reifenstahl. Her clear and high-contrast fram progressions are reminiscent of Eisenstein's montages and several of the documentarys of Nagisa Oshima...' From the article 'Keiko Takemiya; A Meeting of VIsionary Wills' by critic Norio Nishijima in a special 1981 edition on girls' comics issued by Eureka, a Japanese literary magazine of poetry and criticism and one of the first places to take a shoujo manga-ka seriously." Great analysis which goes to prove what a master Takemiya is. It reminds me of the quote on Takemiya in Manga Manga;
“‘Viewing the page layouts of Keiko Takemiya, one is reminded of the designs of the constructivists–of the exagerated slanted lines in Rodchenko’s posters and film montages, and the concentrated power of the films of Reifenstahl. Her clear and high-contrast fram progressions are reminiscent of Eisenstein’s montages and several of the documentarys of Nagisa Oshima…’ From the article ‘Keiko Takemiya; A Meeting of VIsionary Wills’ by critic Norio Nishijima in a special 1981 edition on girls’ comics issued by Eureka, a Japanese literary magazine of poetry and criticism and one of the first places to take a shoujo manga-ka seriously.”

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