Manga
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Mushishi 8-9-10
I finished reading the final triple volume of Yuki Urushibara’s Mushishi this morning. As has become popular with translated manga publishers lately, Del Rey published volumes 8, 9, and 10 of the series in a single, extra-large volume (it’s not quite Bottomless Belly Button thick, but it’s very close). Not only is it three volumes-in-one, [...]
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Tezuka’s Cave-In
The “inconsistent” drawing style of Cave-in [Rakuban, 1959] makes this short story unique. The five memory scenes (free motifs) are depicted in five distinctive styles, ranging from simple, comical line drawings reminiscent of prewar children’s comics to more detailed, “gekiga-like” figures. The degrees of detail in the drawing style represent the reliability of Maehashi’s story. [...]
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Aria v5 by Kozue Amano
Amano, Kozue. Aria v.5. Tokyopop, 2009. ISBN: 9781427805140. This just arrived the other day, and I read it straight through that same night. Light fare, yet refreshing. I can’t think of another comic that is so resolutely non-dramatic and non-comedic while maintaining a fairly standard narrative setting. It is a narrative without any guile. I [...]
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A Drifting Life by Yoshihiro Tatsumi
Tatsumi, Yoshihiro. A Drifting Life. Drawn & Quarterly, 2009. 856p. ISBN: 9781897299746. This massive autobiographical manga has been appearing on a lot of the early best of 2009 lists, and while I can, to a point see, why, I’m not in agreement. A Drifting Life is, basically, the story of Tatsumi’s early entry into the [...]
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Ooku: The Inner Chambers 1 by Fumi Yoshinaga
Yoshinaga, Fumi. Ooku: The Inner Chambers v.1. Viz, 2009. ISBN: 9781421527475. I wasn’t convinced I’d keep reading this series after my first reading of volume 1. The concept of the series seems right out of a sociopolitical sci-fi novel like something Joanna Russ would write: a plague kills off only men, leaving Japan with a [...]
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![tessier_quadrilogues_17 [Roughly putting a French translation back into English: My line constantly brings to mind it's existence as ink. I call on the complicity of my reader who transforms the line into meaning, using our common well of culture, history, and poetry. - Saul Steinberg.]](http://madinkbeard.com/blog/wp-content/images/tessier_quadrilogues_17-207x300.jpg)





